We have reached the level of the church windows. In fact, we find ourselves in front of the window of the easternmost section of the Gothic nave. Pointed, with a double framing of columnellas, it perfectly reflects the Gothic language of the fourteenth century. If we turn around, the large window behind the staircase is surprisingly semicircular. Its artistic language is unmistakably Romanesque. We have already mentioned that the tower is defined by a complex construction process. These apparent contradictions are a good example of this. As we have seen in the interior, medieval buildings are the result of a prolonged sum of efforts.

Again in front of the Gothic window, we see that two small doors open up, one on the right and the other on the left. We will go first to the right side, to observe the details of the Romanesque work of the chancel. When we go through this door, press number 14.