Now it only remains for us to take a few more steps. In front we see a beautiful Renaissance Calvary located on the altar which sanctifies the location of the monumental Gothic ossuary which occupies the basement of this part of the cloister. To our right, we will return to the origins of the sanctuary, crossing the exterior of the Romanesque apses in what represents the end of the perimeter passageway.

We go back in time again to the last years of the eleventh century. To the dawn of the full Romanesque in Navarre. The master builder strives to offer in the three semi-cylindrical drums an elaborate articulation, both vertical as well as horizontal. We see dowel imposts, elaborate framing in the windows or the buttresses of the central drum and decorated capitals. Once again, everything seems to refer to Jaca as a model for the elevations and Leire as a planimetric principle.

The feeling one gets when walking through the gallery is somewhat strange. The apses are completely enclosed between perimeter walls erected during the fourteenth century. Their monumentality increases. It is good to pay attention to the details. For example, under the junction of the central apse with the lateral sides, there are two short sections of an older wall, which would draw a straight closure. This is the only visible remains of the pre-Romanesque church which defined the first Christian sanctuary. Excavations of the interior, carried out during the last restoration, confirmed its planimetric characteristics.

A few more steps to the south and we will reach the end of the perimeter passage. Watch out for the step that will allow us to reach, once again, the southern small square of the compound. Your visit to the sanctuary of Santa María de Ujué is over. We hope you have enjoyed this guide as much as we have. Now all that remains is for you to stroll through the medieval streets of our village, with its stone houses and picturesque views. Thank you very much for your visit.